Dune: Parody of the Modern World
February 20th 2007 02:18
Dune: Parody of the Modern World
The strange thing about the novel Dune by Frank Herbert is how it is just a contemporary today as it was when it was first penned. As a novel its reputation proceeded it as either a piece of space opera or as the first classic novel using science fiction as the setting and theme. The translation into film was deemed to hard for many years and if not for Star Wars ripping off much of its style and theme it would still be the defining serious Sci-fi novel. Prior to the Dino DeLaurentis version in 1984 the only other attempt to create it in media was done by the German electronic pioneer Klaus Schultze. The album called Dune does not follow the story but produces soundscapes to reflect Schultze’s his respect for the themes of water conservation.
It took decades for the first film version to be produced by the visually addicted Dino DeLaurentis, the same producer of the camp 70’s version of King Kong and Flash Gordon. The film had budget blowouts and was cut beyond reason when it hit the cinemas and so became a bit of a flop. However looking a more recent edit of the film that has hit the video stores it is truer to the ethos of the original novel. The editing in some places it terrible and some acting is as bad as you get in Star Wars but it does tell a better story. More recently a mini series has been created but has not hit the Australian screens yet, so I cannot comment on its quality.
As a novel Dune cannot easily be written off as another piece of escapism written for nerds, instead it is a deep story that has done for Sci-fi what Lord of the Rings has done for fantasy. It has given a voice to characters and issues without being rejected as a partisan diatribe. The image of a planet that is so dry that it never rains brings home the desperation of times of drought and desertification. The droplets of water from exhaled breathing is recycled by the desert dwellers called Fremen. Water is so precious that it cannot be wasted and even the dead are drained of it to help of the living. Yet the most precious substance to the rest of the universe, the people who do not care about the Fremen, is the spice that can only be found on Dune. It is the one thing that holds the entire organized political situation in place. The spice enriches the consumer prolonging life, raising consciousness and making space travel possible. The spice is like crude oil to the modern world, it intoxicates, offers great freedoms but we are totally dependant upon it. Likewise the message from the emperor is that the spice must flow at all costs the spice must. Hence the intrigue and desperation of a clash that cannot be avoided reflects our unease over the Middle East. The oil must flow or we will cease to have a modern world.
It it easy to make the mistake of choosing heroes and villains in this story as you are forced to do in a melodrama, but people in this story should been seen as characters. Only the Baron is totally repulsive with his love of self indulgence and unspeakable vices. Yet the messiah called Paul has a fanatical following where women are willing to throw their own children onto the knives of the enemy. So great is the influence of this hero that will save them all that he can transcend all fear. We can see people like this in the form of leaders that send people off as suicide bombers and the cheering families of the ‘martyred’ victim. We can also see the greed of the outside world that coverts the spices on Dune as others would covert Oil reserves. A cruel war is created to control the spice once and for all, so that the Empire may exist for all time without threat.
Frank Herbert understood much about the Middle East when he wrote the novel Dune and it seems as if little has changed. The threat of losing the flow of oil would devastate our entire economy and that of the suppliers too. Wars have been fought over principles that have been applied unequally elsewhere in the world. Perhaps oil is clouding or judgment of what is moral. As the novel says, ‘He who controls the Spice controls the Universe,’ and ‘If you can destroy something then you can control it.’ Can these be seen as, ‘He who controls the oil controls the world,’ or ‘our oil addiction is the stranglehold on the West.’ In many ways I like the novel more as time progresses.
The strange thing about the novel Dune by Frank Herbert is how it is just a contemporary today as it was when it was first penned. As a novel its reputation proceeded it as either a piece of space opera or as the first classic novel using science fiction as the setting and theme. The translation into film was deemed to hard for many years and if not for Star Wars ripping off much of its style and theme it would still be the defining serious Sci-fi novel. Prior to the Dino DeLaurentis version in 1984 the only other attempt to create it in media was done by the German electronic pioneer Klaus Schultze. The album called Dune does not follow the story but produces soundscapes to reflect Schultze’s his respect for the themes of water conservation.
It took decades for the first film version to be produced by the visually addicted Dino DeLaurentis, the same producer of the camp 70’s version of King Kong and Flash Gordon. The film had budget blowouts and was cut beyond reason when it hit the cinemas and so became a bit of a flop. However looking a more recent edit of the film that has hit the video stores it is truer to the ethos of the original novel. The editing in some places it terrible and some acting is as bad as you get in Star Wars but it does tell a better story. More recently a mini series has been created but has not hit the Australian screens yet, so I cannot comment on its quality.
As a novel Dune cannot easily be written off as another piece of escapism written for nerds, instead it is a deep story that has done for Sci-fi what Lord of the Rings has done for fantasy. It has given a voice to characters and issues without being rejected as a partisan diatribe. The image of a planet that is so dry that it never rains brings home the desperation of times of drought and desertification. The droplets of water from exhaled breathing is recycled by the desert dwellers called Fremen. Water is so precious that it cannot be wasted and even the dead are drained of it to help of the living. Yet the most precious substance to the rest of the universe, the people who do not care about the Fremen, is the spice that can only be found on Dune. It is the one thing that holds the entire organized political situation in place. The spice enriches the consumer prolonging life, raising consciousness and making space travel possible. The spice is like crude oil to the modern world, it intoxicates, offers great freedoms but we are totally dependant upon it. Likewise the message from the emperor is that the spice must flow at all costs the spice must. Hence the intrigue and desperation of a clash that cannot be avoided reflects our unease over the Middle East. The oil must flow or we will cease to have a modern world.
It it easy to make the mistake of choosing heroes and villains in this story as you are forced to do in a melodrama, but people in this story should been seen as characters. Only the Baron is totally repulsive with his love of self indulgence and unspeakable vices. Yet the messiah called Paul has a fanatical following where women are willing to throw their own children onto the knives of the enemy. So great is the influence of this hero that will save them all that he can transcend all fear. We can see people like this in the form of leaders that send people off as suicide bombers and the cheering families of the ‘martyred’ victim. We can also see the greed of the outside world that coverts the spices on Dune as others would covert Oil reserves. A cruel war is created to control the spice once and for all, so that the Empire may exist for all time without threat.
Frank Herbert understood much about the Middle East when he wrote the novel Dune and it seems as if little has changed. The threat of losing the flow of oil would devastate our entire economy and that of the suppliers too. Wars have been fought over principles that have been applied unequally elsewhere in the world. Perhaps oil is clouding or judgment of what is moral. As the novel says, ‘He who controls the Spice controls the Universe,’ and ‘If you can destroy something then you can control it.’ Can these be seen as, ‘He who controls the oil controls the world,’ or ‘our oil addiction is the stranglehold on the West.’ In many ways I like the novel more as time progresses.
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Comment by Adrian
Philosophy Blog
-- Paul's nephew turns into a giant worm god-emperor
-- Paul having a kinky sister
-- a sex cult that arises to combat the Bene Gesserit
-- "cloning tanks" that turn out to be human wombs
-- gathering of DNA from old clothes to start the whole process over again.
Comment by Damo
For the Sake of Argument
My Apologetics
Comment by Cibbuano
20/20 Filmsight
Science News
Hunt Famous
Orble Post of the Day
Fat Cult
Techbreak
Adrian, yes the sequels were weird. Taken as a whole, though, it's quite an amazing universe that Herbert created, with plenty of intrigue and history.
His son wrote 6 prequels. I read them. They were not as good.
Comment by Damo
For the Sake of Argument
My Apologetics
Were you talking about the Tv series or the books?
It has been years since I read the book but I saw the film when it came out and recently saw the re-edited version. As a book it stands up to many of the classics I was forced to read in school and has a slighly Russianesc feel to its style.